The story for this design started 2 years ago. Believe it or not it is how long at times ideas have to sit inside a sketch book before they finally materialize. After Petal Halter design success I thought about working out a similar looking shape and incorporating it into a different type of a garment. And this design's story is not particularly cheerful at the beginning. The design was turned down twice when I submitted it to be published elsewhere, but it lacked a secret ingredient which I have finally found last January...
Making the right yarn choice transformed the idea into a perfect marriage or you can call it some other epithet. But the yarn and colors made this shawl "sing".
Actual patterning that takes place within the shawl can remind everyone of sometimes they know. Whether grey storm clouds, fish scales, even ceramic mosaic floor tiles and of course - as in a place where I live - of a traditional Seikai-ha print or sewn pattern of sashiko embroidery, fabric and prints.
To me personally the shawl reminded of winter ocean of Japan, stormy weather, foamy raging waves, greyness and obscurity of the horizon line between the sky and the water. That is why this shawl is named Aranami 荒波 (jap).- (n) stormy seas, raging waves.
After I made a swatch I did all necessary calculations to start on actual shawl sample and I LITERALLY couldn't put it down.. It's quite addictive really, portable and you just keep telling yourself - one more, 15 minutes later - one more.. then you start seeing color transition to aligning beautifully. I will admit I burned midnight oil while knitting on it couple of times but no regrets. Just wanting to finish the last color and tier... and take it all in!
I know I am going to be making a couple more of these. I want to explore more color families! Aranami is exciting to work on - being not overly complicated, relaxing garter stitch so you keep attention on shaping, yet it's a pleasure to know that the shawl is reversible! My only suggestion would be, when picking up stitching instead of going between the last and the previous stitch as you would usually do, go inside the last stitch itself. That way the lines on the wrong side would be less bulky, they would be still outlined delicately.
I know I am in love and if you are not yet, be prepared to! Brooklyn Tweed LOFT has an amazing range of 32 heather shades. I used 5 colors, 1 skein of each color. So 5 skeins! But amazing yardage of LOFT actually will yield 2 shawls out of those 5 skeins. They will just have to be made in 2 different graduating color directions. Still it's great usage of yarn and yardage! Remember there are several flagship stores in US that carry Brooklyn Tweed yarns at their locations.
Choosing colors together is a bit harder for some, so I have put together several LOFT color pairings to help. You can also order Brooklyn Tweed Shade Card and play with it for the colors you prefer.
My original Aranami was done in
Fossil, Snowbound, Sweatshirt, Soot, Cast IronAnd you can easily replace Fossil with Hayloft or Embers to create a sort of grellow or effect of sun setting/rising over grey seas or skies.. just an idea.
Second column: Snowbound, Sweatshirt, Faded Quilt, Almanac, Old World
Third column: Faded Quilt, Stormcloud, Truffle Hunt, Meteorite, Pumpernickel
Second Column: Postcard, Blanket Fort, Thistle, Plume, Old World
Second Column: Sap, Tent, Birdbook, Artifact, Cast Iron
Third Column: Foothills, Tent, Birdbook, Artifact, Cast Iron
But you certainly don't have to stick to these colors combos above, use your imagination to entertain other ombré pairings you can create with these colors.
Level - Beginner Intermediate
Finished shawl measurements (blocked)
Brooklyn Tweed Loft (100% US Targhee-Columbia Wool; 275yds/50g): 1 skein each of “Fossil” (A), “Snowbound” (B), “Sweatshirt” (C), “Soot” (D), “Cast Iron” (E).
any other fingering weight wool in colors
A: 6g or 33yds
B: 14g or 77yds
C: 22g or 121yds
D: 30g or 165yds
E: 38g or 209yds
US 2 (2.75mm), circular 36" or longer